Edward Shanken

ArteXetrA = Art + Etcetera

Writings on Contemporary Art and New Media

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Art and Electronic Media (Phaidon, 2009, 2011, 2014)Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness. A Collection of Essays by Roy Ascott. Uni California Press, 2003, 2007.Inventar el Futuro: Arte - Electricidad - Nuevos Medios. (Fiction Department, 2013, Spanish/Español)Systems (Documents of Contemporary Art) Whitechapel/MIT, 2015

Bringing To Cover Slide 2014

“Contemporary Art and New Media: Hybrid Discourse
or Digital Divide?”

“In Forming Software: Software, Structuralism, Demythification” (2014)

“Bringing To and Bringing Out: Art, Culture, and Social Media”
135MB .pptx  Whitney Shared Spaces symposium, 2014. Video of talk

Computing, Aesthetic (Oxford Encyclopedia of Aesthetics, 2014)

Broken Circle &/ Spiral Hill:  Smithson’s Spirals,
Pataphysics, Syzygy, and Survival”
2013.  ISEA 2012 presentation .pdf

“In Forming Software: Software, Structuralism, Dematerialization” (2012)

“Investigatory Art:  Real Time Systems and Network Culture” (2012)
Hohenberg Chair lecture presentation .pdf (2.5MB)Mainframe cover 2013

“Tuning in and Spacing Out: Notes on the Presentness of Sound” (with Yolande Harris, 2012)

“Contemporary Art and New Media: Toward a Hybrid Discourse?” (2011)

“Alternative Nows and Thens to Be: Re-imagining History to (Re)View the Future –
Photography, New Media, and Art Historical Revision” (2011)
<Spanish translation, 2011>     <Polish translation, 2014>

“The History and Future of the Lab: Collaborative Research at the Intersections of
Art, Science, and Technology”
 (2010) Catalan: “Història i Futur del Laboratori…”

“Reprogramming Systems Aesthetics: A Strategic Historiography” (2009)

“Technogenesis: Aesthetic Dimensions of Art and Biotechnology” (2008)

“Historicizing Art and Technology: Forging a Method, Firing a Canon”  (2007)Relive Cover 2013
“Historicizar Arte e Tecnologia: fabricar um método e estabelecer um canône” (Portuguese)
“Storicizzando arte e tecnologia: forgiare un metodo e iniziare un canone” (Italian)

Artists in Industry and the Academy: Collaborative Research, Interdisciplinary
and the Interpretation of Hybrid Forms” (2005). Video of lecture.

“Hot to Bot: Pygmalion’s Lust, the Maharal’s Fear, and the Cyborg Future of Art” (2005)

“Cybernetics and Art: Cultural Convergence in the 1960s” (2002).

“Art in the Information Age: Technology and Conceptual Art” (2001).
“L’arte nell’era dell’informazione: : tecnologia e arte concettuale” (Italian)
Realplayer Video of talk at UCLA Design|Media Arts, 2000

Telematic Embrace:  A Love Story?  Roy Ascott’s Theory of Telematic Art” (2001)
“L’abbraccio telematico: Una storia d’amore?” (Italian)

“Missing in Action: Agency and Meaning in Interactive Art” (w Stiles 2000-11)

“Tele-Agency: Telematics, Telerobotics, and the Art of Meaning” (1.8MB .pdf)  (2000)

“Life as We Know It, and/or Life as It Could Be:
Epistemology and the Ontology/Ontogeny of Artificial Life”
(1998)arte_ciência_tecnologia_sistema cover

“The House that Jack Built:
Jack Burnham’s Concept of Software as a Metaphor for Art” (1998)

“From Drips to ZOOBS: The Cosmology of Artist/Inventor Michael Grey” (1998)
ArtByte (juicy design, no footnotes 9MB .pdf); Full draft with notes (350k .pdf)

“Gemini Rising, Moon in Apollo: Art and Technology in the US, 1966-1971” (1997)

“Technology and Intuition – A Love Story?  Roy Ascott’s ‘Telematic Embrace'” (1997)

“Virtual Perspective and the Artistic Vision:
A Genealogy of Technology, Perception and Power” (1996)

Yolande Harris: Listening to the Distance (exhib cat). Ed. and essay (2016)

“Love Is a Good Place to Start: Ken Feingold in Conversation with Edward Shanken”  (2015, draft)

“Conversa com Edward Shanken” (interview D Gasparetto, Portuguese, 2014)Speculative Scenarios

The $34.2 million Question: Writing Histories or Staging Alternative Futures” (2013)

“Not Just Smoke and Mirrors: rAndom International” (2013)

“Betwixt and Between, or Notes on Observing:
Michael Joaquin Grey’s Between Simonetta”(1.5MB .pdf, Ger/Eng 2011)

“Edward Shanken on ‘Is New Media Accepted in the Artworld?'” (2011)

“Response to Domenico Quaranta’s ‘The Postmedia Perspective'” (2011)  

“Contemporary Art and New Media: Outline for Developing a Hybrid Discourse” (2010)

“Knowing Art/Transcending Science:
Perception, Consciousness, Synchronicity and Transgnosis” (2010)

“Art and Science: A Renewed Unity! Collaborative Research,
Transdisciplinary Scholarship, and the Interpretation of Hybrid Forms,” (2009)

Inventing the Future: Art and Net Ontologies,” (conversation w A Dekker, 2009)

“Lev Manovich on ‘Cultural Analytics’ at Paradiso” (2009)

“The Video Mirror and Its Genetic Double: Richard Kriesche’s Twins Reflected through
‘The Work of Art in the Age of Mechanical Reproduction,’” (Eng/German, 2008Kriesche Capital + Code cover)

“The Imploding Cube Meets the Beating Heart: The Gestalt of
Andres Ramirez Gaviria’s ‘0.’ And ‘Resonance’” (2008)

“Review: PICNIC 2008: ‘Three Days of Miracle and Wonder?'” (2008)

SONAR 2006 Review (2006)

“Lowell Boyers: Inhale Exhale” (2006)

“Animal, Vegetable, or Mineral? Headless Two-Headed Hydra,
or, the Art of Michael Rees”(2005)Altering Nature

“Pioneers of Art and Science: Metzger (review of Gustav Metzger DVD)” (2005)

Telematic Embrace: A Love Story? Roy Ascott’s Theories of Telematic Art (2001)

“Divided We Stand: Interactive Art and the Limits of Freedom” (1997)

“Jeffrey Shaw’s Golden Calf: Art Meets Religion and Virtual Reality” (1994)

Art In The Information Age:  Cybernetics, Software, Telematics and the
Conceptual Contributions
 of Art and Technology to Art History and Aesthetic Theory. Duke University, 2001.

Free Space:  Process – Collaboration – Performance (28 min, color, 2003)

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Written by Edward Shanken

9 February, 2009 at 1:52 pm

Posted in Artexetra